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JP6K is a synth dedicated to emulating the famous Super Saw sound, first found in the Roland JP-8000 synthesizer in 1997. It aims to capture the essence of the sound and the behaviour of the original oscillator. Even after a decade, the Super Saw is still sought after by people all around the world, and is a crucial part of such music genres like Trance.
May 23, 2016 JP6K is a synth dedicated to emulating the famous Super Saw sound, first found in the Roland JP-8000 synthesizer in 1997. It aims to capture the essence of the sound and the behaviour of the original oscillator. Even after a decade, the Super Saw is still sought after by people all around the world, and is a Read More ». Recent Comments. Adam Szabo on Viper: No it does not work. DDMF Metaplugin only loads Mac vts and not Windows one.
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- Jun 05, 2011 Adam.Szabo.JP6K.VSTi.v1.0-ASSiGN JP6K is a synth dedicated to emulating the famous Super Saw sound, first found in the Roland JP-8000 synthesizer in 1997. It aims to capture the essence of the sound and the behaviour of the original oscillator.
- Phazor is a free effect plugin, which emulates the phaser effect found in the Virus synthesizers, which helped make its characteristic sound. A lot of time was devoted to make it sound very close to the original and every control has been carefully adjusted to behave just like the phaser from the Virus.
Jan 28, 2019 10 Dec 2018 Adam Szabo updates Viper to v1.0.3 26 Jun 2018 Adam Szabo updates Viper to v1.0.2 - Now 64-bit for Windows 03 Jun 2018 Adam Szabo updates Viper to v1.0.1 02 Mar 2018 Adam Szabo releases Viper Synthesizer for Win VST 08 Jan 2018 Adam Szabo releases free Phazor plug-in 14 Feb 2016 Adam Szabo updates JP6K Subtractive Synth.
There are several factors that make the Super Saw in the JP6K different than other synths that provide a similar sound. The original Super Saw from Roland was aliasing, thus creating a bright and “airy” sound. To prevent the sound from sounding harsh below the fundamental harmonic, a high pass filter was possibly used to remove the unwanted frequencies. The JP6K uses the same design to achieve that special oscillator waveform giving it a unique tone.
Another important aspect of the classic Super Saw, was its special detune curve. It was non-linear, which gave the user greater control over the detune amount. Even when the detune control was half way, the spread of the detune was small, which made it possible to make very smooth sounding pads. The curve then gradually increased, and at higher values, the detune rapidly spread out to maximum. This unique curve is accurately modelled in JP6K, making it nearly identical to the detune in the hardware.
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The JP6K also emulates other features from the JP-8000 like the filters, key tracking and the EQ, to give it an even more authentic way to shape the Super Saw sound. The synth has been optimised to use minimal amount of CPU, so it is possible to use multiple instances.
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- 32 voice polyphony.
- Two Super Saw oscillators, an upper and lower.
- 1 noise oscillator.
- Three filter modes: low pass, band pass and high pass with -12 & -24 dB/Oct.
- Three independent LFOs controlling the filter, amp and pitch.
- Built in delay and EQ.